Active Filters:
Participation: 100%
Unique Accidentals: 3-4
Unique Chords: 1-2
Clear All Filters

Tags

Handel
HWV1A3N11 - Gönne nach den Thränengüssen mir
edward.maurath
1:31 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
Bassoon Continuo Bass 14 0 3 5 100%
Bass
as Raymondo		 Bass 17 0 5 8 75%
Oboe Treble 8 0 2 3 71%
 
HWV58A3N2 - Leave me, loathsome light
edward.maurath
3:13 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
Organ Continuo Treble 21 10 3 5 96%
Bass 18 2 3 3 100%
Cello Continuo Bass 18 0 3 3 100%
Double
Bass Continuo		 Bass 17 0 3 3 100%
Viola 16 0 3 4 90%
Violin
1		 Treble 15 0 1 3 90%
Violin
2		 Treble 16 0 3 5 90%
Bass Bass 13 0 2 6 79%
 
Handel - Sarabande Variations
Parasκevas
3:25 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 20 4 5 100%
Bass 17 1 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 20 4 5 100%
Bass 17 1 3 4 100%
 
HWV8A0N7 - Ecco, sen vien - recitativo secco
edward.maurath
0:28 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
Violoncello Bass 7 0 2 3 100%
Apollo 8 0 3 3 86%
 
Messiah| No.41: Let Us Break Their Bonds Asunder
Pete Alan
1:42 Est. Play
Time
68 Measures
1,277Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 23 1 4 7 100%
Violas 20 1 6 6 99%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 23 1 4 7 100%
Violas 20 1 6 6 99%
Violins Treble 24 0 5 8 91%
Treble 24 0 5 7 91%
Fagott Bass 22 0 4 7 91%
Cembalo Treble 23 49 6 7 87%
Bass 26 72 5 7 84%
Tenor Treble 15 0 4 5 82%
Oboe Treble 15 0 4 6 74%
Soprano Treble 15 0 4 6 74%
Alto Treble 12 0 2 6 69%
Bass Bass 15 0 3 6 65%
 
Handel Sarabande Siebente Suite in g moll - HWV 432
pental
3:22 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 17 6 6 100%
Bass 16 1 4 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 17 6 6 100%
Bass 16 1 4 5 100%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
Cornelia, "Priva son d'ogni conforto" from HWV 17, Giulio Cesare
edward.maurath
12:33 Est. Play
Time
114 Measures
1,315Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
Lute Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
Celli Bass 17 0 3 2 100%
Continuo Bass 17 0 3 3 100%
Contrebaß Bass 17 0 3 2 100%
Violas 16 0 5 3 100%
Violins Treble 23 60 8 6 100%
Vln
2		 Treble 23 60 8 4 100%
Flute Treble 20 0 5 6 89%
Cornelia 15 0 5 7 88%
 
"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)
edward.maurath
2:57 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
Violoncello Bass 22 1 4 7 100%
Mirtillo 15 0 5 8 85%
 
HWV56N04 - Messiah - And the Glory of the Lord
edward.maurath
5:54 Est. Play
Time
138 Measures
1,883Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 17 74 3 5 98%
Bass 16 41 2 4 94%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 17 74 3 5 98%
Bass 16 41 2 4 94%
Cello Bass 22 1 4 5 98%
Violone Bass 22 1 4 5 98%
Violin
2		 Treble 19 1 3 6 79%
Bassoon Bass 17 0 4 4 78%
Oboi Treble 15 2 2 5 77%
Viola 17 0 4 4 77%
Alti 11 1 2 5 75%
Violin
1		 Treble 17 0 2 6 75%
Tenori 11 0 2 5 72%
Bassoon Continuo Bass 22 0 4 4 72%
Bassi Bass 16 0 3 4 63%
Soprani 13 0 2 5 63%
 
"Il vostro maggio," from "Rinaldo," HWV 7
edward.maurath
3:46 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 12 7 7 99%
Bass 22 2 3 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 12 7 7 99%
Bass 22 2 3 4 100%
Contrabasses Bass 14 0 1 4 100%
Viola 12 0 2 5 100%
Violins
1		 Treble 16 0 5 7 100%
Violins
2		 Treble 12 0 2 5 100%
Violoncello Bass 14 0 1 4 100%
Violoncellos Bass 14 0 1 4 100%
Soprani 15 0 5 6 75%
 
HWV17A3N09Y1724 Cesare, "Quel torrente che cade dal monte" in C Major
edward.maurath
2:48 Est. Play
Time
157 Measures
1,037Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 2 4 3 99%
Bass 21 4 4 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 2 4 3 99%
Bass 21 4 4 4 100%
Violoncello Continuo Bass 21 0 4 4 97%
Cesare 15 0 3 6 71%
Violins Treble 22 0 5 7 69%
Kontrebaß Bass 15 0 1 3 43%
Celli Bass 14 0 0 3 41%
 
HWV56N41 - Let us break their bonds asunder
edward.maurath
2:22 Est. Play
Time
67 Measures
1,190Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 7 2 0 4 6%
Bass 22 1 4 7 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 7 2 0 4 6%
Bass 22 1 4 7 100%
Cello Continuo Bass 22 0 4 7 100%
Violone Bass 20 0 4 7 100%
Viola 20 0 6 5 99%
Vln
I		 Treble 24 0 5 7 91%
Vln
II		 Treble 24 0 5 6 91%
Tenor 15 0 4 6 84%
Organ Treble 15 40 4 6 81%
Bass 13 19 1 6 70%
Soprani 15 0 4 6 75%
Alti 12 0 2 6 70%
Bassi Bass 15 0 3 6 66%
 
"Svegliatevi nel core" from HWV 17, (1724)
edward.maurath
3:08 Est. Play
Time
64 Measures
1,364Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 22 6 6 5 100%
23 9 4 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 22 6 6 5 100%
23 9 4 6 100%
Harpsichord Treble 21 2 4 5 100%
Bass 24 10 7 6 100%
Celli Bass 21 0 4 5 100%
Continuo Bass 21 1 4 5 100%
Contrabasses Bass 21 0 4 5 100%
Vln
1		 Treble 23 0 5 5 98%
Vln
2		 Treble 19 0 4 5 98%
Castrato as
Sesto		 Treble 15 0 3 6 80%
Flute Treble 13 17 2 4 25%